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For a bit of a change of pace, Jeff and Richard discuss two films where there are as many songs as there are monsters: Phantom of the Paradise (1974) and The Rocky Horror Picture Show (1975.) Both did their time on the Midnight Movie circuit before the advent of home video boosted one’s reputation and
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We’ve seen the story many times, going back at least as far as 1954 with Alfred Hitchcock’s Rear Window. Sure, there are variations and twists, but the basic plot is the same: somebody sees something bad happen in an adjacent building. Usually, nobody believes them and, at some point, they find themselves in personal danger
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Does anyone remember the Hudson Brothers? Bill, Brett, and Mark Hudson were discovered by a record producer in Portland and offered a contract. They released several singles in the late 1960s under the names The New Yorkers, Everyday Hudson, and Hudson. I know them from The Hudson Brothers Show, a summer replacement for The Sonny
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Here’s how old school I am. The Questor Tapes (1974) is a Gene Roddenberry (Star Trek) production and the titular character, played by Robert Foxworth, is an android that repeatedly uses the word “logic.” That reminded me an awful lot of Spock, so I thought the character was based on him. Duh! Research has shown
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Welcome back to another month of “April Fools!” After unintentionally launching a month-long theme last year at this time, I’ve located four more horror spoofs that came in the wake of the Slasher phenomenon of the 1980s. Student Bodies (1981) set the high bar, but we’ll see if any of the films this month come
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If you’re going to be trapped on an elevator, this would be a good one. Just look at your co-passengers: Craig Stevens (The Deadly Mantis), Teresa Wright (Hitchcock’s Shadow of a Doubt), Myrna Loy (The Thin Man), and Jean Allison (Devil’s Partner.) And that’s just the old Hollywood royalty. There’s also Roddy McDowell and Carol
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Jeff and Richard belatedly celebrate the birthday of Ol’ Blood and Thunder, or Mr. Murder, Tod Slaughter. Slaughter has been called a British Boris Karloff. Indeed he made a series of films in the 1930s as similar to each other as Karloff’s mad scientist movies were in the United States. However, with his roots in
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If you’re keeping track at home, you might expect today’s review to be The Ticket of Leave Man (1937.) I’m sorry to disappoint, but it’s virtually the same film as It’s Never Too Late to Mend (1937), and while I could barely stand watching the two so closely together, I certainly can’t fathom thinking of
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In Hitchhike! (1974), Cloris Leachman, who’s been so good in several TV movies we’ve discussed in this series, plays Claire Stevens, a woman on the run from someone or something, who picks up Keith Miles (Michael Brandon) beside the road on a rainy drive from Los Angeles to San Francisco. Made in the 1970s, you
