-

We’ve talked before about how actors sometimes take roles simply for the money. There’s no shame in that. Paul Naschy himself said that’s what he did when he made Crimson, the Color of Blood (1973.) I tell you, though, it’s hard to find anything redeeming in this movie. Much of the time, if you consider…
-

Although it has some characteristics of a giallo, Blue Eyes of the Broken Doll (1974) is more a thriller in the vein of Hammer’s mini-Hitchcocks. That is to say, it has more twists and turns than it does blood and gore, although the killer does remove the eyes from his/her victims and, you guessed, they’re…
-

If I was bad-mouthing director Javier Aguirre for my dislike of Count Dracula’s Great Love, he has redeemed himself with The Hunchback of the Morgue (1973.) We’re back to bat-shit crazy Paul Naschy films and this one is another monster mashup between the hunchback, Gotho (Naschy) and a mad scientist, Dr. Orla (Alberto Dalbes) who…
-

It’s hard for me to get past the title of this one: The Strange & Deadly Occurrence (1974.) First, there’s no single occurrence. Second, while events that happen in the new country home of Michael Rhodes (Robert Stack) and family are indeed strange, they’re not ultimately deadly. The title caused me to watch and wait…
-

Known by many different names, The Hanging Woman (1973) best represents the movie. The name under which I bought the Blu-ray from Full Moon, Orgy of the Living Dead, does not. Sure, there’s a great quote from the film: They say the dead have orgies in that bloody cemetery. However, that’s as close as we…
-

It’d be easy to dismiss Terror on the 40th Floor (1974) as a quickie rip-off of The Towering Inferno, which it is. However, when you look at the timeline it’s not really that easy. The former aired on television three months before the latter opened in theaters. It’s more likely there was something in the…



