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Since I’m not a Rob Zombie aficionado, I can’t compare 31 (2016) to House of 1000 Corpses (2003), The Devil’s Rejects (2005), or The Lords of Salem (2012.) However, having seen his versions of Halloween (2007) and Halloween II (2009), I can tell you that it is not as brutal as those two. Don’t get
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As is sometimes reported, The 30 Foot Bride of Candy Rock (1959) was not Lou Costello’s only movie without longtime comic partner, Bud Abbott. (He started his film career solo with several extra or uncredited roles.) It was, however, his final movie, and although I’ve seen only a few of them, it’s got to be
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Researching Track 29 (1988), I learned a new subcategory of film: “Oedipal drama.” The meaning is what you’d think. It’s related to the “Oedipus complex” which, according to brittanica.com, is a “a desire for sexual involvement with the parent of the opposite sex and a sense of rivalry with the parent of the same sex.” Many movies have
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It’s finally here! Eight years in the making! You’re invited to join Rich and Jeff for the 100th meeting of the Classic Horrors Club! There’s only one movie star and one movie big enough for the podcast: King Kong (1933.) It’s an episode as big as Kong, and a celebration you don’t want to miss
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Despite it appearing on almost every list of zombie movies, I don’t consider 28 Days Later (2002) to be one of them. Sure, there are ferocious, zombie-like creatures, but they aren’t raised from the dead. They’ve been transformed by an equally ferocious virus. It’s about humankind’s reaction to the virus itself and whatever conditions it
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The 27th Day (1957) is a thinking man’s alien invasion movie, full of almost more big philosophical ideas than its 75-minute running time can hold. However, that’s the perfect running time to not notice what could be some pretty big flaws. Even now I must think about it carefully before I write about its plot points. There’s
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When you watch one of the original slashers now, it’s hard to remember if it’s full of tropes that have accumulated over nearly 50 years, or it they were already tropes when the films were originally made. For example, in Friday the 13th Part 2, when Ginny’s (Amy Steel) car is “sick” and Paul (John
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Unmasked Part 25 (1988) opens as a typical 80s slasher film might and, based on the special effects, a pretty good one. A hockey-masked killer executes (pun intended) five kills: The movie then almost comes to a complete halt, just as the killer does when he’s about to stab a blind woman. She mistakes him for
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The only Bollywood movie I’ve seen is a three-hour-and-44-minute-long historical drama/musical about the game of cricket that came on two videotapes. Lagaan: Once Upon a Time in India (2001) was wonderful! Now, I’ve seen a second. You might call 24 (2016) “the Back to the Future of India.” It’s not as perfect as that, but It’s a funny, sweet, exciting, time
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The Number 23 (2007) is the dark underbelly of yesterday’s movie, 2:22. That one featured a character with an obsession for a specific time (2:22) and ended with a profound revelation. This one features a character with an obsession for a specific number (23) and ends with a grim resolution. 2:22 nourishes the soul. The Number 23 destroys it. However, both
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Classic Horrors Club 