-

Molly (Millie Perkins) and her sister, Cathy (Vanessa Brown), have conflicting memories of their father. Molly believes he’s a brave captain lost at sea because he was too good a man to live on land. That’s what she tells her nephews, Tadd (Jean Pierre Camps) and Tripoli (Mark Livingston), and that’s what we believe until
-

Believing I had already seen and written about Silent Night, Deadly Night (1984), I jumped fearlessly into the sequel, cleverly titled, Silent Night, Deadly Night Part 2 (1987.) I was enjoying the structure with Ricky Caldwell, fka Ricky Chapman, (Eric Freeman) in some type of holding cell being interviewed by Dr. Henry Bloom (James Newman.) However, there were frequent
-

Nothing says Christmas like a killer Santa Claus! “…And All Through the House” is just one highly effective tale from the five-story anthology film from Amicus, Tales from the Crypt (1972.) The characters in each one of them get what’s coming to them, whether it’s because they’re husband killers, wife cheaters, greedy real estate investors,
-

We never learn how or why the spirit of a Japanese samurai is haunting a rural home in Wisconsin of all places, but if you can accept the fact that it simply is happening, the rest of Blood Beat (1983) somehow seems a little less wacky. Writer/director/editor/co-composer Fabrice-Ange Zaphiratos came to Chicago from his native France in the late
-

The combination was inevitable. By the time Christine (1983) was released, directors such as Brian DePalma, Tobe Hooper, Stanley Kubrick, and David Cronenberg had made adaptations of Stephen King novels. Although he considered it “a job” and not a personal project like his previous films, John Carpenter took his turn with King. (Interestingly, he was




